Earlier than Netflix’s ‘Adolescence’, Indian TV present ‘CID’ made the Guinness World Document for 111-minute single shot episode – Firstpost

Earlier than Netflix’s ‘Adolescence’, Indian TV present ‘CID’ made the Guinness World Document for 111-minute single shot episode – Firstpost

However are you aware the Indian TV present made the Guinness World Document for 111-minute single shot episode? This was a Diwali particular episode again in 2004 starring Kay Kay Menon and Raj Zutshi.

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Filmed in a one-take model, Jack Thorne and Stephen Graham’s new crime drama on Netflix known as Adolescence is a real masterpiece. You may be shocked to know that every episode was shot is a single steady take. Right here is how the story goes, a 13-year-old boy, Jamie, is accused of stabbing his feminine classmate to demise. Adolescence raises a really essential query about incel tradition, male violence, and the pressures of social media.

However are you aware the Indian TV present made the Guinness World Document for 111-minute single shot episode? This was a Diwali particular episode again in 2004 starring Kay Kay Menon and Raj Zutshi.

Guinness wrote, “The longest steady digicam shot in a TV present was 111 minutes, lasting your complete episode of C.I.D (Fireworks Productions, India).”

It added, “Filmed by director B.P Singh in Mumbai, India on 8 October 2004 and subsequently broadcast by the Sony Leisure Tv Community (India) on 7 November 2004.”

Anurag Kashyap lately heaped praises on the present and slammed Netflix India in a be aware on social media.

The filmmaker mentioned, “It makes me pissed off, jealous of reveals like Adolescence and envious and hopeless. I hope they be taught from the reception of it and understand that each one the perfect issues Indian Netflix does is generally both acquired (Delhi Crime, Black Warrant) or those they least believed in (Kohrra, Trial by Hearth).”

Ekta Kapoor wrote- “When Superboys of Malegaon and my pricey good friend Hansal Mehta’s The Buckingham Murders don’t work in theatres, can we blame the actual culprits—the audiences?”

She added, “And because it’s no enjoyable blaming individuals in such summary phrases (can’t deliver them down on social media, so no enjoyable), let’s simply say {that a} main a part of India is in its evolutionary stage so far as content material is worried! You may say it’s in its adolescence.”

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