Tony 2025 winners checklist: ‘Buena Vista Social Membership,’ ‘Sundown Boulevard,’ ‘Stranger Issues: The First Shadow’

Broadway’s greatest evening returned Sunday to Radio Metropolis Music Corridor, the place 29 reveals are vying for the highest prizes.

The musicals “Buena Vista Social Membership,” “Demise Turns into Her” and “Possibly Completely satisfied Ending” earned 10 nominations apiece, essentially the most this yr.

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The performing classes have been additionally stacked with a slew of Hollywood stars, together with George Clooney (nominated for “Good Evening, and Good Luck”) and Sarah Snook (nominated for “The Image of Dorian Grey”).

Here is a have a look at who took house awards on the 78th Tony Awards.

NBC Information shall be updating the checklist of winners in daring under.

Finest new musical

• “Buena Vista Social Membership”
• “Lifeless Outlaw”
• “Demise Turns into Her”
• “Possibly Completely satisfied Ending”
• “Operation Mincemeat”

Finest new play

• “English”
• “The Hills of California”
• “John Proctor Is the Villain”
• “Oh, Mary!”
• “Goal”

Finest musical revival

• “Floyd Collins”
• “Gypsy”
• “Pirates! The Penzance Musical”
• “Sundown Boulevard”

Finest play revival

• “Eureka Day”
• “Our City”
• “Romeo + Juliet”
• “Yellow Face”
• Finest main actress in a play

• Laura Donnelly, “The Hills of California”
• Mia Farrow, “The Roommate”
• LaTanya Richardson Jackson, “Goal”
• Sadie Sink, “John Proctor Is the Villain”
• Sarah Snook, “The Image of Dorian Grey”

Finest main actor in a play

• George Clooney, “Good Evening, and Good Luck”
• Cole Escola, “Oh, Mary!”
• Jon Michael Hill, “Goal”
• Daniel Dae Kim, “Yellow Face”
• Harry Lennix, “Goal”
• Louis McCartney, “Stranger Issues: The First Shadow”

Finest main actress in a musical

• Jasmine Amy Rogers, “
• Megan Hilty, “Demise Turns into Her”
• Audra McDonald, “Gypsy”
• Nicole Scherzinger, “Sundown Boulevard”
• Jennifer Simard, “Demise Turns into Her”

Finest main actor in a musical

• Darren Criss, “Possibly Completely satisfied Ending”
• Andrew Durand, “Lifeless Outlaw”
• Tom Francis, “Sundown Boulevard”
• Jonathan Groff, “Simply in Time”
• Jeremy Jordan, “Floyd Collins”
• James Monroe Iglehart, “A Great World: The Louis Armstrong Musical”

Finest course of a musical

• Saheem Ali, “Buena Vista Social Membership”
• Michael Arden, “Possibly Completely satisfied Ending”
• David Cromer, “Lifeless Outlaw”
• Christopher Gattelli, “Demise Turns into Her”
• Jamie Lloyd, “Sundown Boulevard”

Finest course of a play

• Knud Adams, “English”
• Sam Mendes, “The Hills of California”
• Sam Pinkleton, “Oh, Mary!”
• Danya Taymor, “John Proctor Is the Villain”
• Kip Williams, “The Image of Dorian Grey”

Finest featured actress in a play

• Tala Ashe, “English”
• Jessica Hecht, “Eureka Day”
• Marjan Neshat, “English”
• Fina Strazza, “John Proctor Is the Villain”
• Kara Younger, “Goal”

Finest featured actor in a play

• Glenn Davis, “Goal”
• Gabriel Ebert, “John Proctor Is the Villain”
• Francis Jue, “Yellow Face”
• Bob Odenkirk, “Glengarry Glen Ross”
• Conrad Ricamora, “Oh, Mary!”

Finest featured actress in a musical

• Natalie Venetia Belcon, “Buena Vista Social Membership”
• Julia Knitel, “Lifeless Outlaw”
• Gracie Lawrence, “Simply in Time”
• Justina Machado, “Actual Ladies Have Curves”
• Pleasure Woods, “Gypsy”

Finest featured actor in a musical

• Brooks Ashmanskas, “Smash”
• Jeb Brown, “Lifeless Outlaw”
• Danny Burstein, “Gypsy”
• Jak Malone, “Operation Mincemeat”
• Taylor Trensch, “Floyd Collins”

Finest ebook of a musical

• “Buena Vista Social Membership”
• “Lifeless Outlaw”
• “Demise Turns into Her”
• “Possibly Completely satisfied Ending”
• “Operation Mincemeat”

Finest scenic design of a play

• Marsha Ginsberg, “English”
• Rob Howell, “The Hills of California”
• Marg Horwell and David Bergman, “The Image of Dorian Grey”
• Miriam Buether and 59 Studio, “Stranger Issues: The First Shadow”
• Scott Pask, “Good Evening, and Good Luck”

Finest scenic design of a musical

• Rachel Hauck, “Swept Away”
• Dane Laffrey and George Reeve, “Possibly Completely satisfied Ending”
• Arnulfo Maldonado, “Buena Vista Social Membership”
• Derek McLane, “Demise Turns into Her”
• Derek McLane, “Simply in Time”

Finest lighting design of a play

• Natasha Chivers, “The Hills of California”
• Jon Clark, “Stranger Issues: The First Shadow”
• Heather Gilbert and David Bengali, “Good Evening, and Good Luck”
• Natasha Katz and Hannah Wasileski, “John Proctor is the Villain”
• Nick Schlieper, “The Image of Dorian Grey”

Finest costume design of a play

• Brenda Abbandandolo, “Good Evening, and Good Luck”
• Marg Horwell, “The Image of Dorian Grey”
• Rob Howell, “The Hills of California”
• Holly Pierson, “Oh, Mary!”
• Brigitte Reiffenstuel, “Stranger Issues: The First Shadow”

Finest choreography

• Joshua Bergasse, “Smash”
• Camille A. Brown, “Gypsy”
• Christopher Gattelli, “Demise Turns into Her”
• Jerry Mitchell, “Boop!”
• Patricia Delgado and Justin Peck, “Buena Vista Social Membership”

Finest orchestrations

• Andrew Resnick and Michael Thurber, “Simply in Time”
• Will Aronson, “Possibly Completely satisfied Ending”
• Bruce Coughlin, “Floyd Collins”
• Marco Paguia, “Buena Vista Social Membership”
• David Cullen and Andrew Lloyd Webber, “Sundown Boulevard”

Finest sound design of a play

• Paul Arditti, “Stranger Issues: The First Shadow”
• Palmer Hefferan, “John Proctor Is the Villain”
• Daniel Kluger, “Good Evening, and Good Luck”
• Nick Powell, “The Hills of California”
• Clemence Williams, “The Image of Dorian Grey”

Finest authentic rating

• “Lifeless Outlaw,” David Yazbek and Erik Della Penna
• “Demise Turns into Her,” Julia Mattison and Noel Carey
• “Possibly Completely satisfied Ending,” Will Aronson and Hue Park
• “Operation Mincemeat,” David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts
• “Actual Ladies Have Curves,” Pleasure Huerta and Benjamin Velez

Finest costume design of a musical

• Dede Ayite, “Buena Vista Social Membership”
• Gregg Barnes, “Boop!”
• Clint Ramos, “Possibly Completely satisfied Ending”
• Paul Tazewell, “Demise Turns into Her”
• Catherine Zuber, “Simply in Time”

Finest lighting design of a musical

• Jack Knowles, “Sundown Boulevard”
• Tyler Micoleau, “Buena Vista Social Membership”
• Scott Zielinski and Ruey Horng Solar, “Floyd Collins”
• Ben Stanton, “Possibly Completely satisfied Ending”
• Justin Townsend, “Demise Turns into Her”

Finest sound design of a musical

• Jonathan Deans, “Buena Vista Social Membership”
• Adam Fisher, “Sundown Boulevard”
• Peter Hylenski, “Simply in Time”
• Peter Hylenski, “Possibly Completely satisfied Ending”
• Dan Moses Schreier, “Floyd Collins”

Isabelle Stevenson Tony Award

Celia Keenan-Bolger

Particular Tony Award for Lifetime Achievement

Harvey Fierstein