‘Vyasana Sametham Bandhu Mithradhikal’ overview: A effectively executed satire on a funeral starring Anaswara Rajan

A nonetheless from Vyasana Sametham Bandhu Mithradhikal
| Photograph Credit score: SPECIAL ARRANGEMENT

Can demise be humorous? Whereas there’s a predisposition to say no, occasions transpiring at a funeral are identified to make clear the hysterical subtleties amongst individuals. Vyasana Sametham Bandhu Mithradhikal (VSBM) by S Vipin is a humorous exploration of this take, whereas questioning the perverse agendas of these across the deceased. The movie glances on the prevalence of labels equivalent to gender, blood relation, and others.

Vyasana Sametham Bandhu Mithradhikal (Malayalam)

Director: S Vipin

Forged: Azeez Nedumangad, Mallika Sukumaran, Anaswara Rajan, Siju Sunny, Joemon Jyothir, Baiju Santhosh

Runtime: 116 minutes

Storyline: Occasions unfurled at a funeral dwelling in a village in Thiruvananthapuram by individuals attempting to achieve their egocentric targets

The film, set in a village in Thiruvananthapuram, begins with discussions in regards to the wedding ceremony of Anjali (Anaswara Rajan). Nevertheless, her potential groom, Akhil, reveals poisonous qualities as a associate — a scarcity of belief, short-tempered nature, and an air of superiority. Concurrently, Anjali is pursued by her school senior Suhail (Siju Sunny), who can’t take no for a solution. Anjali’s mother and father are decided to get her married regardless of her resistance. Anjali’s grandmother, Sumithra (Mallika Sukumaran), is her solely assist within the household. Nevertheless, all plans go for a toss as Sumithra passes away as a result of cardiac arrest.

Throughout its 116-minute runtime, the movie doesn’t drag. As an alternative, you witness this hilarious chaos, with every character contributing with humour. From a grim state of affairs, the movie turns right into a hilarious tussle amongst characters. One of many characters within the film, Shakthi (a terrific Joemon Jyothir), says, “After I see individuals crying at a funeral, I can’t management my laughter.” This can be a disturbing dilemma you face watching VSBM, interesting to the morally corrupt elements of your psyche.

Whereas demise is taken into account an sudden visitor, the debut director glances on the sudden (and undesirable) visitors that include it. Be it Karayogam President Venu, performed by Baiju Santhosh, who is decided to outshine and overpower everybody on the funeral, or Siju’s character Suhail making an attempt to woo Anjali through the ultimate rites of her grandmother. Kin of Sumithra don’t make issues simple both, as they’re irritated by the truth that they weren’t “knowledgeable” in regards to the demise. People circling a house ready for “the information” evokes pictures of vultures ready for his or her prey to die.

Produced by Vipin Das and Sahu Garapati, VSBM is a well-executed satire and a worthy addition to the listing of darkish comedy motion pictures in Malayalam coping with demise. Like Ee Ma Yau and Jan. E. Man, VSBM performs on contrasts in moods related to demise — oscillating between celebrating a life and mourning a loss. Concurrently, gender, class, and different elements play into whether or not the particular person deserves dignity in demise.

Azeez Nedumangad performs Murali, Sumithra’s son-in-law, a critical character, with restraint. The character’s helplessness in shuttling between events to organise a funeral is obvious in his efficiency. Anaswara Rajan as Anjali shows her performing chops in direction of the latter half of the film, nailing the emotional scenes.

Azeez Nedumangad in Vyasana Sametham Bandhu Mithradhikal
| Photograph Credit score:
SPECIAL ARRANGEMENT

Noby Marcose and Siju Sunny additionally play their elements effectively. Ashwathy Chand Kishor, taking part in Sumithra’s daughter Sudha, handles humorous and emotional scenes effectively. Mallika Sukumaran showcases her price of expertise as a grandmother. One other standout efficiency is by Saji Sabana, taking part in Prasanna, the vengeful neighbour of the bereaved household. He’s additionally the artistic director of the film.

The frames by Rahim Aboobacker current the village panorama with freshness. Music by Ankit Menon efficiently addresses the tough plot.

Total, VSBM is an pleasing watch about life and demise. Whereas touching upon a number of social points, it strongly executes darkish humour and laughs at what makes you uncomfortable.

Vyasana Sametham Bandhu Mithradhikal is at present working in theatres